
QSI 500 SERIES USER GUIDE
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red, green and blue filters. The resulting images are then combined using computer image
processing programs into a final color image.
Single-shot color CCDs, like those found in almost all general use digital cameras, are
made by placing red, green and blue filters over adjacent pixels in the CCD. The image
processing program then has to separate the three different color images and recombine
them into a single color image.
Single-shot color CCDs use a “Bayer
filter” with alternating red, green and blue
pixels covering adjacent pixels in a
checker board pattern as shown in the
image to the right.
50% of the pixels are covered in a green
filter, 25% are covered in a blue filter and
25% are covered in a red filter. This
arrangement is used because the
human eye is most sensitive to green
light. The green pixels correspond to
luminance and record the greatest detail
while the red and blue filters record
c
hrominance.
te set of
e
ce, vary the color balance.
After the raw image is read from the
CCD, a demosaicing algorithm must be applied to the image to produce a comple
red, green and blue images by interpolating the missing pixel values. This is exactly what
normal digital cameras do, but it’s all hidden inside the camera’s electronics. You only se
the final processed image. With a CCD camera, the raw image is read into the camera
control program and then processed on your computer. This has the advantage that you
can directly manipulate the raw image to, for instan
Single-shot color models offer the easiest way to take color images of the night sky. The
trade off is reduced QE and detail because of the demosaicing and pixel interpolation.
Signal versus noise
For an astronomer, “signal” is the photons coming from the stars in the night sky. In an
ideal world, there would be steady stream of photons from every bright object and every
photon striking a pixel would be converted into exactly one electron in the CCD. Then the
number of electrons would be precisely counted and converted to a number telling the
photographer exactly how much light struck each pixel. Unfortunately, the process of
converting light to pixel values in a CCD image is governed by some fundamental physical
laws and other factors that introduce “noise” into an image. Noise is unwanted variations in
pixel values that make the image a less than exact representation of the original scene.
Noise in CCD images can manifest itself in multiple ways, including “graininess” in darker
background areas, “hot” pixels, faint horizontal or vertical lines that become visible in low
signal areas of the image, blotchy gradients between darker and lighter regions in a nebula,
a gradient from dark to light from one corner or side of an image to the other, and especially
as low contrast images — the result of a reduced signal to noise ratio. Achieving high
dynamic range, low noise images from a cooled CCD camera requires a basic
understanding of how CCDs work and the different sources of noise that can reduce the
quality of your images.
Courtesy Wikipedia
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